۱۳۹۵ آذر ۴, پنجشنبه

Cinematic Observation: Marlon Brando’s Evolution of Myth in God Father I ...

Cinematic Observation: Marlon Brando’s Evolution of Myth in God Father I ...: Marlon Brando’s Evolution of Myth in God Father I With a Focus on the Method’s Techniques In his experimentation to control the erratic na...

Cinematic Observation: The Cinema of Akira Kurosawa, Seven Samurai: An An...

Cinematic Observation: The Cinema of Akira Kurosawa, Seven Samurai: An An...: The Cinema of Akira Kurosawa,   Seven Samurai : An Analysis of an Action Sequence Akira Kurosawa's films are now part of the global ci...

Cinematic Observation: Tirez sur le Pianiste: A Stylistic Analysis (Just ...

Cinematic Observation: Tirez sur le Pianiste: A Stylistic Analysis (Just ...: Tirez sur le Pianiste: A Stylistic Analysis (Just a Note) Criticism of Truffaut's films draws our attention to his intuitive and inst...

Cinematic Observation: Hitchcock's Spellbound: Stylistic Analysis "Hitc...

Cinematic Observation: Hitchcock's Spellbound: Stylistic Analysis

"Hitc...
: Hitchcock's Spellbound: Stylistic Analysis "Hitchcock also uses point-of-view editing with the camera moving with a walking char...

Cinematic Observation: Stylistic & Political Analysis of La Regle du Jeu ...

Cinematic Observation: Stylistic & Political Analysis of La Regle du Jeu ...: Stylistic & Political Analysis of La Regle du Jeu ( The Rules of the Game ): A Discussion on Theatricality, Style and Political Aspect o...

Cinematic Observation: Sansho the Bailiff: The Aesthetic of the Camera Mo...

Cinematic Observation: Sansho the Bailiff: The Aesthetic of the Camera Mo...: Sansho the Bailiff: The Aesthetic of the Camera Movements Mizoguchi's cinema has one key element as its ingredient which may be separa...

Cinematic Observation: John Cassavetes: The Camera Related StrategiesCa...

Cinematic Observation: John Cassavetes: The Camera Related Strategies

Ca...
: John Cassavetes: The Camera Related Strategies Cassavetes' cinema is often stylistically structured on his desire and intention to use...